the darkness conceals all that was before
the dirt that coats the teeth
oil for the machine
bones ground to dust
the agonising groan of a dying man
becomes the new hymn for fruitless prayer
the red in the sky is wrung dry
like the flicker in your eyes
und ich bin qual
life leaves us all
the end is always inevitable
and tastes like sweet defeat
a misery born from the ruins of yesterday's failures
lays beneath our feet
it's all i am
all i'll ever be
flesh, blood and bone
the poison that i breathe
nothing more, nothing at all
where do we go from here?
six feet under the earth we reap
supported by 55 fans who also own “The Clouds Won't Shade The Pain”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
supported by 45 fans who also own “The Clouds Won't Shade The Pain”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-